|
Philip Booth (born 1942) is an American operatic bass who is chiefly associated with the basso profundo repertoire. Now retired from performance, he was particularly active with the Metropolitan Opera in New York City where he gave more than 400 performances from 1975–1995. ==Career== A native of Arlington, Virginia, Booth studied singing at the Eastman School of Music with Julius Huehn and with Todd Duncan in Washington D.C. He began his singing career as a member of the United States Army Chorus from 1966-1970. In 1970 he won 2nd prize in the Metropolitan Opera National Council Auditions, with June Anderson in 3rd place and Jeannine Altmeyer in 1st place.〔(【引用サイトリンク】title=National Council Concert. Matinee ed. Metropolitan Opera House )〕 That same year he achieved his first critical success singing in concert with the Lake George Opera. He made his professional opera debut in 1971 at the Kennedy Center as the King of Scotland in Handel's ''Ariodante''.〔(【引用サイトリンク】title=Philip Booth )〕 From 1971-1974 Booth was committed to the San Francisco Opera. He made his debut with the company as one of the young lovers in a production of Karl Orff's ''Carmina Burana''.〔(【引用サイトリンク】title=Philip Booth )〕 On October 16, 1975 Booth made his debut at the Metropolitan Opera as Tom in Verdi's ''Un ballo in maschera'' with Nicolai Gedda is Ricardo, Roberta Peters as Oscar, and Henry Lewis conducting. He went on to sing more than 30 roles with the company over the next two decades, including Basilio in ''The Barber of Seville'', Colline in ''La bohème'', Count Ceprano in ''Rigoletto'', Dansker in ''Billy Budd'', Don Fernando in ''Fidelio'', Dr. Grenvil in ''La traviata'', both Fafner and Fasolt in ''The Ring Cycle'', Grégorio in ''Roméo et Juliette'', Gualtiero in ''I puritani'', the Jailer in ''Tosca'', the Marquis de Calatrava in ''La Forza del Destino'', Osmin in ''The Abduction from the Seraglio'', Pimen in ''Boris Godunov'', both Ramfis and the King in ''Aida'', Schmidt in ''Andrea Chénier'', Talpa in ''Il tabarro'', Truffaldin in ''Ariadne auf Naxos'', Wagner in ''Faust'', and Zuniga in ''Carmen'' among others. His final performance at the Met was on December 21, 1995 as Schwarz in Wagner's ''Die Meistersinger von Nürnberg'' with Bernd Weikl as Hans Sachs, Karita Mattila as Eva, Ben Heppner as Walther von Stolzing, and James Levine conducting.〔(【引用サイトリンク】title=Philip Booth )〕 In addition to performing at the Met, Booth also appeared in productions at the Caramoor International Music Festival, the Houston Grand Opera, the New York City Opera, and the San Diego Opera among others. In 1976 he made his debut at the Santa Fe Opera as La Notte in the American premiere of Francesco Cavalli's ''L'Egisto''. He was also seen in Santa Fe that year as Daniel Webster in Virgil Thomson's ''The Mother of Us All''; a production which was recorded on disc. He later returned to Santa Fe in 1980 to perform the role of Sarastro in ''The Magic Flute'' and Prince Gremin in ''Eugene Onegin''.〔(【引用サイトリンク】title=Philip Booth )〕 In 1989 he notably portrayed the role of Pantalone De' Bisognos in the American premiere of Pietro Mascagni's ''Le maschere'' at the Washington National Opera.〔 He married mezzo-soprano Sandra Bush. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Philip Booth (bass)」の詳細全文を読む スポンサード リンク
|